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WEDNESDAY, JULY 29

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© Christian Ratzel

© Charles Nemo

4 PM: CONCERT

Alla Bastarda - The Extraordinary Ornament

Portrait of the viola da gamba on fire

Manon Papasergio, viola da gamba
Clémence Niclas, soprano
Yoann Moulin, harpsichord and organ

 

 

 

See event details

 

in video

description

in detail

The historical term ‘alla bastarda’ refers to the use of an instrument beyond the limits of its usual range. Here it applies to the ‘extraordinary’ art of ornamentation in late 16th-century Italy, that way of chiselling out long notes, of making the layers of music pulsate, from the sensual strings of the viola da gamba to the guilloché-like line of the solo voice. In Manon Papasergio, a multi-instrumentalist here on the viola da gamba, erudition nourishes sensitivity: knowledge and skill would be nothing without the beating heart, life flowing through the fingers, the miraculous sense of expressive invention. With Yoann Moulin on the harpsichord and

organ, and soprano Clémence Niclas – the voice of the ApotropaïK ensemble – she introduces us to the musical jewellery of the late Renaissance.

Programme :

Diego Ortiz & Jacques Arcadelt - Recercada Tercera sobre O felici occhi miei
Diego Ortiz - Recercada Ottava sobre La Gamba
Antonio de Cabezon & Adrian Willaert - Qui la dira


Antonio de Cabezon & Cipriano de Rore - Ancor che col partire
Richardo Rogniono & Cipriano de Rore - Ancor che col partire
Luzzasco Luzzaschi - Aura Soave


Improvisation sur la Monica
Giulio Caccini - Tutto’l di piango
Francesco Lombardo - Partite sopra Fidele


Adrian Willaert - Qui la dira
Aurelio Virgiliano & Alessandro Striggio - Nasce la pena mia
Improvisation sur la Bergamasca


Francesco Rognoni & Giovanni Pierluigi da Palestrina - Pulchra es amica mea
Roland de Lassus - Suzanne un jour
Orazio Bassani & Roland de Lassus - Susanna un giorno


Luzzasco Luzzaschi - Ch’io non t’ami cor mio

 

Lieu : Salle des Rosières du Château de Canon, Mézidon Vallée d’Auge - plus de détails sur le lieu

Tarif plein : 20€

Etudiants et demandeurs d'emploi : 10€

Jeunes - 18 ans : 5€

PASS Manon Papasergio + Poème Harmonique : 50€ / 25€ / 10€

Quand : Mercredi 29 juillet à 16h

Durée : 1h

Food-truck : La Roche Fumée et Lapin urbain : 17h30-22h

Avant ou après concert :

14H30 + 17H30 : VISITE
Découvrez le Château lors d’une visite guidée avec les propriétaires du lieu.
Tarif : +6 euros en complément du billet de concert.
Réservation obligatoire dans la limite des places disponibles. Rendez-vous devant le perron du château.

vidéo

Also to be seen on the same day

11 AM: PETITE PROMENADE - "MAGIC LANTERN STORY(IES)"

Rediscover your childhood spirit and embark, young and old, on a journey through images of yesteryear and live accordion music, to discover your first cinematic emotions.

11 AM: PETITE PROMENADE - "MY FIRST CONCERT"

A gentle musical interlude for toddlers, where the voice of Gwendoline Blondeel and the viola da gamba create an enchanted awakening mat.

 

2:30 PM + 5:30 PM: VISIT

Discover the Castle during a guided tour with the owners of the property.

 

7 PM: CONCERT - "THE MAJESTIC COUP"

Transport yourself to the Louvre during the reign of the young Louis XIV! Le Poème Harmonique brings back to life the festive music of the Parisian court.

 

 

 

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Lieu

Welcome to Canon Castle

The seigneury of Canon, owned by Eudes de Canon in the Middle Ages, passed through a series of alliances and inheritances. In 1727, the Protestant Robert de Bérenger fled the regime and sought refuge in England, selling Canon at a pittance to a certain Sieur de la Rocque, who then built a new residence. Jean-Baptiste Elie de Beaumont, a renowned defender of the Protestant cause, married Anne-Louise Morin du Mesnil, the sole heiress of the de Bérenger family, in 1760. As a lawyer, he took an interest in the questionable circumstances surrounding the sale of Canon in 1727. After a lengthy legal battle, closely followed by his friend Voltaire, he won the case and immediately undertook extensive renovations (removing the mansard roof, adding a new floor, etc.). He commissioned a variety of trees from the Harcourt nurseries to adorn the park, seeking contrasting colors for every season. He himself designed the plans for the "Chartreuses," thirteen walled gardens connected by a series of openings. Finally, in 1775, he and his wife created the famous "Fête des Bonnes Gens" (Festival of Good People), a grand celebration of Virtue, during which the Good Mother, the Good Old Man, the Good Head of the Family, and the Rose Queen were crowned, elected by universal suffrage from among the inhabitants of Canon, Mézidon, and Vieux-Fumé. Many mementos of this festival, which drew thousands of people each year, are preserved in the castle's reception rooms. A significant portion of the outbuildings was dedicated to this event, with the construction of a large theater known as the "Salle des Rosières" (Rose Queen Hall). In 1783, Anne-Louise Elie de Beaumont died, leaving her husband heartbroken. From then on, he rarely visited Canon and hastened the completion of the works, which he was finding increasingly difficult to finance. After writing "Canon is a cancer that is eating me away," he died heavily in debt in 1786, leaving a 13-year-old son, Armand, whose guardian was the renowned lawyer Target. Highly regarded in the region, J.B. Elie de Beaumont spared the Canon estate from the turmoil of the Revolution. Canon suffered greatly during the Second World War, which saw a German hospital established within the château itself in June 1944, followed by troops from a Panzer tank division, whose two-hundred-year-old trees effectively shielded them from Allied aircraft. As part of war reparations, the Beaux-Arts (the French Ministry of Fine Arts) meticulously rebuilt the North Farm, which had been damaged by an American bomb, but the same could not be said for the other outbuildings, which have required annual restoration ever since. The park was then gradually restored to its original splendor. While maintaining such an estate was already a considerable undertaking, the park was ravaged by several storms, notably the hurricane of 1999. Today, all the pathways have been completely replanted, thanks to the assistance of the French Heritage Society, and the park has regained its tranquility and beauty. Canon has remained in the same family since its creation. To manage the complexities of such an estate, the family formed a real estate company in 1999. A highly original participatory family management system was then implemented, with each member required to contribute a minimum of 150 hours of work per year to the company.

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artistes

find out more about the artist!

A multi-instrumentalist musician, Manon Papasergio has chosen the vast world of early music to allow the different facets of her musical personality to flourish. Initially drawn to the cello, which she studied in Caen, she then began playing the harp and viola da gamba at the Tours Conservatory. Charmed by the plurality of artistic paths open to her, she chose to dedicate herself to them at the Lyon National Conservatory of Music and Dance. There, between 2019 and 2025, she studied baroque cello, early harp, and viola da gamba with Emmanuel Balssa, Angélique Mauillon, and Myriam Rignol. This training is enriched by musical and personal encounters that lead her to co-found ensembles such as the Renaissance violin consort La Capriola, with which she obtained a master's degree in chamber music in 2024, and the medieval trio Ecco la Primavera, specializing in the creation of musical tales. Appreciated for her continuo skills, Manon is sought after as a viol player, harpist, or cellist by numerous early music ensembles, including Les Musiciens de Saint-Julien, La Guilde des Mercenaires, La Nébuleuse, and Cappella Mediterranea. Noted in 2023 at the Bach-Abel International Viola da Gamba Competition, where she won first prize, Manon naturally turned to the viola da gamba for her first recording as a soloist, which gives her the opportunity to explore the flamboyant and intriguing repertoire of the Italian viola bastarda.

Clémence Niclas trained at the CNSMD in Lyon, where she first earned a master's degree in recorder (2019), then a second in early music singing (2023). There, she established a dual artistic voice that she has continued to develop and expand ever since. With her ensemble ApotropaïK, she fervently explores medieval repertoires, which she boldly reinvents. Winner of several international prizes, the ensemble is currently in residence at Royaumont. Clémence also sings with the ensemble De Caelis, in a sensitive approach to medieval polyphonic singing. Her practice is not limited to performance: she invents living forms. With Compagnie Rassegna, she participates in the baroque-electro opera Qui-Vive!, an unclassifiable project at the crossroads of musical languages. She also performs in La Chacana, directed by Pierre Hamon, and in La Nébuleuse, a baroque ensemble led by Gabriel Rignol, where she is a regular soloist. In 2024, she participated in the tour of Charpentier's opera David et Jonathan, where she performed the role of a warrior, conducted by Sébastien Daucé with the ensemble Correspondances. Clémence creates, imagines, and directs. With percussionist Lou Renaud-Bailly, she conceived a show for young audiences, Lubulus et Alaïs, which toured throughout France for two years (2021-2023). As a solo artist, she created Surgie d’un autre temps (Emerging from Another Time), a piece that blends recorder, voice, and poetry: a chiaroscuro narrative, a journey through intimacy and memory. She is currently joining choreographer Justine Bertillot as a solo singer on stage for a creation blending body and voice (Mermaids, 2027).

Yoann Moulin began his musical training with Robert Weddle at the Caen Choir School. There he discovered the harpsichord, which he studied with Bibiane Lapointe and Thierry Maeder. After being invited to the Villecroze Academy, he continued his studies at the Paris Conservatory (Conservatoire National Supérieur de Musique et de Danse de Paris) in the classes of Olivier Baumont, Kenneth Weiss, and Blandine Rannou. During this same period, he discovered the clavichord thanks to Étienne Baillot, improvisation alongside Freddy Eichelberger, and benefited from the teaching of Pierre Hantaï, Andreas Staier, Skip Sempé, and Blandine Verlet. He has since performed in recitals at the La Roque d’Anthéron International Piano Festival, Folles Journée de Nantes, Oude Muziek d’Utrecht, Muziekgebouw-Amsterdam, La Scala de Paris, MA Festival de Brugges, Festival de Saintes, and in chamber music and orchestral settings in various seasons and festivals such as the Philharmonie de Paris, Théâtre des Champs Elysées, Ambronay, Royaumont, AMUZ-Antwerp, Opéra Royal de Versailles, Festival Montpellier-Radio France, Alt Musik Festival-Regensburg, Bozar-Brussels, Arsenal de Metz, Philharmonie du Luxembourg, Les Flâneries musicales de Reims, Liceu-Barcelona, Musikfest Bremen, Valletta International Baroque Festival, Palau de les Arts-Valencia, Actus Humanus Festival de Gdansk-Poland, and the International Tropical Baroque Festival-Miami. He also performs with several ensembles, including Les Arts Florissants, Le Concert Spirituel, Les Musiciens du Louvre, Vox Luminis, the Ricercar Consort, the viol consort L’Achéron, La Guilde des Mercenaires, and Capriccio Stravagante. He recorded an anthology of 17th-century German keyboard music for the Ricercar/Outhere label, which received two Diapason d'Or awards. He has also participated in numerous recordings for the Alpha, Pentatone, Ambronay, Château de Versailles Spectacle, Aparté, Passacaille, and Paraty labels. In 2017, he founded “La Ninna”.

Contact

Les Promenades musicales du Pays d'Auge

Filature des Possibles

11 rue d'Orival, 14100 LISIEUX

06 59 15 25 86 

contact@pmpa.fr

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