SATURDAY, AUGUST 1st

©Jean-Baptiste Millot
10 PM: CONCERT
Berlin in the light
A cabaret of desire and revolt
Marielou Jacquard, mezzo-soprano
Julien Beautemps, accordion
See event details
©Jean-Baptiste Millot
in detail
A striking contrast between the classical cloister and the Berlin cabaret is brought to life as night falls by two stunning performers: the singer Marielou Jacquard and the accordionist Julien Beautemps. Through the songs of Kurt Weill and Bertolt Brecht, and the cabaret L’Ange bleu where Marlene Dietrich sings the music of Friedrich Hollaender, they recount the battered loves and dreams of escape from a world swaying like a lantern in the wind.
Lieu : Cloître de l’Abbaye de Saint-Pierre-sur-Dives - plus de détails sur le lieu
Tarif plein : 10€
Etudiants et demandeurs d'emploi : 5€
Jeunes - 18 ans : 5€
Quand : Samedi 1er août à 22h
Durée : 1h
Foodtrucks : Les huîtres Lejeune et Ma petite folie : 18h30-23h
Also to be seen on the same day
11 AM: INATTENDU - "BRUSH BLASTS IN LISIEUX"
With their brassy sounds and harmonious arpeggios, the trumpets of Ensemble Correspondances will be playing in the open air at the Lisieux market!
11 AM: PETITE PROMENADE - "A PEAU D'ANE"
Rediscover Perrault's famous tale through an intimate and poetic adaptation that blends the magic of shadow theatre and music.
4 PM: CONCERT - "JEAN RONDEAU HARPSICHORD RECITAL"
Let yourself be captivated by the virtuosity and poetry of the prodigy Jean Rondeau during a masterful and timeless harpsichord recital.
THE GRAND PARTICIPATORY CHOIR
Would you like to sing an excerpt from the program with us?
Join the Grand Participatory Choir!
8:30 p.m.: CONCERT – “WEIMAR CANTATAS”
Ensemble Correspondances sublimely showcases the genius of the young
Johann Sebastian Bach through his dazzling and poignant Weimar cantatas.

Welcome to the Abbey of Saint-Pierre-sur-Dives
The Benedictine Abbey of Saint-Pierre-sur-Dives was founded in the 11th century. A thousand years later, its abbey church, adjoining conventual buildings, cloister courtyard, and magnificent chapter house make it one of the most complete examples of monastic architecture in Normandy. The first abbey church dates from the 11th century. In 1011, upon the death of her husband, the Count of Eu, Countess Lesceline transformed her recently built castle into a monastery and established a community of nuns there. Thirty years later, facing harassment, they were transferred to Saint-Désir-de-Lisieux and replaced by Benedictine monks from Rouen. The Countess then entrusted the future of her abbey to Abbot Ainard, who expanded the monastery and built the first abbey church. The consecration in 1067, in the presence of William, Duke of Normandy and King of England, the Countess's great-nephew, marked the end of construction. The abbey, under his patronage, was dedicated to the Virgin Mary. Virtually nothing remained of the original Romanesque church, destroyed in 1106 by fire set by Henry I Beauclerc, except for a few elements at the crossing. The church was rebuilt in 1108. It closely resembled the proportions and location of the original building. The construction of this new Gothic edifice lasted over a century. The nave and choir rise in three levels: the large, slightly pointed arches, surmounted by a triforium and then by clerestory windows. The balance of volumes between horizontality and verticality is achieved through engaged columns that rise from their capitals to the springing of the vaults, to which the stringcourses corresponding perpendicularly mark the different levels. Initially covered with an exposed timber frame, the nave features ribbed vaults dating from the 13th century. At the crossing, the lantern tower is a characteristic feature of Norman Gothic architecture. It acts as a light well in the area where Mass was sung. Originally taller, it now has only two stories and was reinforced at the corners in the 18th century. The interplay of light and shadow in the sanctuary enhances the spatial unity of the building. The five beautiful arcades of the apse and their opening onto the ambulatory with radiating chapels accentuate its depth. During the Hundred Years' War, the abbey resumed its role as a military fortress and was subsequently heavily damaged. In 1459, it fell under the commendatory system and descended into a period of great moral disarray. During the Wars of Religion, Protestants ransacked the abbey church, burned the charters, the relics of Saint Wambert, and desecrated the tomb of Lesceline. During this turbulent period, a commendatory abbot, Jacques de Silly, rebuilt the ravaged structure. He undertook major works from 1509 to 1527: raising the clerestory windows and the nave vaults, where his coat of arms can be seen, reinforcing the exterior walls with flying buttresses, and consolidating the lantern tower. The restoration of the church preserved the architectural harmony of the 13th century. In the 15th and 16th centuries, the radiating chapels were remodeled. In 1666, Georges Dunot was appointed commendatory abbot. To revive the abbey, he called upon the monks of the Saint-Maur Reform from the Abbey of Saint-Étienne in Caen. The Maurists reinstated religious observance and restored the conventual buildings. In the church, the choir was repaved and a new altar was installed. Bells were recast. In 1691, the vaults, which were in danger of collapsing, were also restored. Individual cells were created in the south wing of the conventual buildings for the monks who had previously slept in a dormitory. A new refectory was also built. From then on, the abbey church remained virtually unchanged, except after the conventual buildings were divided into lots and sold as national property, and its transformation into a parish church following the French Revolution. By gradually buying back the various lots from private individuals since the end of the 20th century, the town has undertaken a plan to restore the convent buildings, so that the former abbey can once again participate in the development of Saint-Pierre-sur-Dives.

find out more about the artist!
Marielou Jacquard Praised for her "vibrant musicality and storytelling voice" (Olyrix), Marielou Jacquard has recently been heard at the Théâtre des Champs-Élysées in Rossini's Le Comte Ory and Massenet's Thaïs (conducted by Pierre Bleuse), as well as at the Opéra Comique in Delibes' Lakmé (directed by Laurent Pelly and conducted by Raphaël Pichon). A multifaceted artist, she is equally passionate about Baroque music and contemporary theatrical works (Sans Tambour by Samuel Achache, Coronis by S. Duron at the Teatro Real in Madrid, conducted by Vincent Dumestre). Her recording of Brahms's La Belle Maguelone with baritone Stéphane Degout, released by B Records, has been critically acclaimed, while the album Ciels d'or by her ensemble, the Trio Haydée, has just been released by Voces8 Records. Marielou regularly collaborates with the Cité des Compositrices (City of Women Composers), actively promoting works composed by women. Deeply committed to contemporary music, she is the dedicatee of numerous composers (Manos Tsangaris, Heloïse Werner, Josephine Stephenson, among others). During the 2025-2026 season, she performed at the Radio France Auditorium, the Philharmonie de Paris, the Saint-Denis Festival, and in Luc Birraux's premiere of Graals at the Cité Bleue in Geneva. Marielou studied at the Radio France Choir School and then at the Hanns Eisler School of Music in Berlin. She is a laureate of the Aix-en-Provence Festival Academy, the Villecroze Academy, and the Royaumont Foundation.
Julien Beautemps, accordionist Nominated for the 2026 Victoires de la Musique awards, winner of the 2023 Francophone Media Young Soloist Prize Publics, laureate of the L’Or du Rhin, Banque Populaire, and Charles Oulmont foundations, nominated for the 2026 Victoires de la Musique awards, Julien Beautemps is recognized for "his musical intelligence; dazzling virtuosity and mastery" (Radio France). Born in 2000, he graduated in 2025 from the Paris Conservatory (CNSMDP) and from the Master's program in Solo Performance at the HEMU in Lausanne. Winner of a dozen international competitions (Grand Prix Musical Lauredia 2023, 1st Prize at the PIF Castelfidardo International Competition 2021, 3rd Prize at the World Accordion Trophy 2021), Julien is regularly invited abroad (Japan, Serbia, Italy, Belgium, Switzerland, Spain), and to perform on France Musique and RTS. He has been invited to the Radio France Montpellier Festival, La Folle Journée in Nantes, La Folle Journée in Tokyo, Pianoscope Festival, Piano à Riom, Festival de La Vézère, Flâneries Musicales in Reims, Colmar International Festival, and more. He performs with Gautier Capuçon, Philippe Bernold, Eléonore Pancrazi, Lucile Richardot, Romain Leleu, and François Salque. Julien released his first solo album, "Mechanics," on the Nügo label in 2022. "A genius arranger" (Radio France), he revisits Gershwin's Rhapsody in Blue, Ravel's Boléro, and Mozart's The Magic Flute with guitarist Sotiris Athanasiou on their album "Argos – Masterworks" (November 2025, DiscAuvers). Julien is also a composer and performs his music in concert, with pieces such as Mechanics and his Sonata for the Resurrection, a duo with violinist Thomas Briant. These award-winning and critically acclaimed works contribute to expanding the instrument's repertoire. Alongside his Sonata No. 1 "Inferno" for solo accordion, Julien presents his arrangement of Mozart's Requiem on his upcoming album "Symphonics" (2026, Oktav Records).